Bill Nighy ("Love Actually", "The Best Exotic Marigold Hotel") and Carey Mulligan ("Inside Llewyn Davis", "The Great Gatsby") feature in the highly anticipated production of David Hare’s "Skylight", directed by Stephen Daldry ("The Audience"), broadcast live from the West End by National Theatre Live. On a bitterly cold London evening, schoolteacher Kyra Hollis (Carey Mulligan) receives an unexpected visit from her former lover, Tom Sergeant (Bill Nighy), a successful and charismatic restaurateur whose wife has recently died.
The choreographer Vyacheslav Samodurov is not striving to meticulously follow the twists of this sad story written by Shakespeare. He almost totally gives up pantomime, leaving it to dance and physical movement to tell the story and express the emotions. At the same time his choreography does not sacrifice the intensity of feelings, the interplay between temperaments, or the dramatic aspect.
The King of the Waltz brings you a festive spectacular from his newly created Winter Palace in his hometown of Maastricht. Immerse yourself in the spirit of the season while singing and dancing away to lovely Christmas carols, romantic waltzes and beautiful melodies like Jingle Bells, O Holy Night, Hallelujah, a show-stopping performance of Walking in the Air and many more! Marvel at the magnificent palace decorations including 150 beautiful chandeliers, over 50 Venetian candelabras and huge arched windows revealing a joyous wintery landscape including ice rinks and ice skaters.
The ancient Greek myth of Orpheus, who attempts to harness the power of music to rescue his beloved Eurydice from the underworld, has inspired composers since opera’s earliest days. Rising American composer Matthew Aucoin now carries that tradition into the 21st century with a captivating new take on the story. With a libretto by MacArthur “Genius Grant” recipient Sarah Ruhl, adapted from her acclaimed 2003 play, the opera reimagines the familiar tale from Eurydice’s point of view.
The Met’s first-ever Live in HD transmission—the abridged, English-language version of Mozart's The Magic Flute—returns to cinemas this holiday season. Tony Award–winner Julie Taymor conjures a spellbinding staging, replete with a kaleidoscope of color and parades of puppetry in this delightful production from 2006, featuring a stellar cast of Met stars including tenor Matthew Polenzani, baritone Nathan Gunn, and bass René Pape.
On Christmas eve, Marie and her whole family are gathered around the tree in celebration of the holiday. She receives a magical gift from her godfather Drosselmeyer and soon enough this Christmas eve will take an unexpected turn for her. Marie's new doll comes alive and carries her into a whirlwind adventure. The exceptional score by Tchaikovsky, brought to life by the Bolshoi Ballet dancers in The Nutcracker, delights the hearts and ears of all generations of music lovers.
John McClain, a new York City cop flys to LA to visit his wife at a Christmas party. But when twelve terrorist attack the building at the same night, McCain is the only hope of saving everybody. With nothing but a handgun and his wits he is forced to take on Hans Gruber and his fellow terrorists. Movie in English with subtitles in Latvian and Russian.
Tracie Bennett, Janie Dee and Imelda Staunton play the magnificent Follies in this dazzling production. Featuring a cast of 37 and an orchestra of 21, Stephen Sondheim’s legendary musical was directed by Dominic Cooke and filmed live on stage at the National Theatre in 2017. New York, 1971. There’s a party on the stage of the Weismann Theatre. Tomorrow the iconic building will be demolished. Thirty years after their final performance, the Follies girls gather to have a few drinks, sing a few songs and lie about themselves.
Laurent Pelly’s storybook staging of Massenet’s Cendrillon is presented with an all-new English translation in an abridged 90-minute adaptation, with mezzo-soprano Isabel Leonard as its rags-to-riches princess. Maestro Emmanuel Villaume leads a delightful cast, which includes mezzo-soprano Emily D’Angelo as Cinderella’s Prince Charming, soprano Jessica Pratt as her Fairy Godmother, and mezzo-soprano Stephanie Blythe and bass-baritone Laurent Naouri as her feuding guardians.
For many years no-one was interested in the art of the Impressionists. Artists like Monet, Degas and Renoir were vilified, attacked, and left penniless as a result. Then, something remarkable happened. A new breed of collectors emerged and, before long, they were battling to acquire any work by these new, radical artists that they could find. Amongst them was the visionary Danish businessman Wilhelm Hansen. It was an extraordinary moment in art history; full of drama, intrigue and subterfuge.
Broadcast live from London’s West End, see Ian McKellen’s ‘extraordinarily moving portrayal’ (Independent) of King Lear in cinemas. Chichester Festival Theatre’s production received five-star reviews for its sell-out run, and transfers to the West End for a limited season. Jonathan Munby directs this ‘nuanced and powerful’ (The Times) contemporary retelling of Shakespeare’s tender, violent, moving and shocking play. Considered by many to be the greatest tragedy ever written, King Lear sees two ageing fathers – one a King, one his courtier – reject the children who truly love them.
Emeralds for the elegance and sophistication of Paris, rubies for the speed and modernity of New York, and diamonds for an imperial St. Petersburg. Three sparkling scenes accompanied by the music of three essential composers, feature the styles of the three dance schools that have contributed to making George Balanchine a legend of modern ballet. This glamorous triptych was inspired by Balanchine’s visit to the famous jeweler Van Cleef & Arpels on New York’s Fifth Avenue, and created as an homage to the cities and dance schools of Paris, New York and St.
Tony Award–winning director Bartlett Sher creates a bold new take on Verdi’s timeless tragedy, resetting the opera’s action in 1920s Europe, with Art Deco sets by Michael Yeargan and elegant costumes by Catherine Zuber. Baritone Quinn Kelsey, a commanding artist at the height of his powers, brings his searing portrayal of the title role to the Met for the first time, starring alongside soprano Rosa Feola as Gilda and tenor Piotr Beczała as the Duke of Mantua, with leading maestro Daniele Rustioni on the podium.
Romeo and Juliet risk everything to be together. In defiance of their feuding families, they chase a future of joy and passion as violence erupts around them. This bold new film brings to life the remarkable backstage spaces of the National Theatre in which desire, dreams and destiny collide to make Shakespeare’s romantic tragedy sing in an entirely new way. Jessie Buckley (Wild Rose, Judy) and Josh O’Connor (The Crown, God’s Own Country) play Juliet and Romeo. The award-winning cast includes Tamsin Greig, Fisayo Akinade, Adrian Lester, Lucian Msamati, Deborah Findlay.
Lured to the banks of a mysterious lake by his alter-ego, the Evil Genius, Prince Siegfried encounters the most beautiful swan Odette and swears his love to her. At the castle, prospective brides try to entertain the distracted Prince, but it is the ravishing swan Odile who threatens the promise Siegfried made to Odette. The legend of the enigmatic swan-woman set to Tchaikovsky’s masterpiece of a score is ballet’s most beloved production in the classical canon.
This highly engaging film takes us on a journey through the life of one of the most prevalent female icons: Frida Kahlo. She was a prolific self-portraitist, using the canvas as a mirror through all stages of her turbulent and, at times, tragic life. Guided with interview, commentary and Frida’s own words, EXHIBITION ON SCREEN uncovers that this, however, was not a life defined by tragedy.
The exhilarating soprano Lise Davidsen makes her Live in HD debut in one of her signature roles, the mythological Greek heroine of Strauss’s enchanting masterpiece. The outstanding cast also features mezzo-soprano Isabel Leonard as the Composer of the opera-within-an-opera around which the plot revolves, with soprano Brenda Rae as the spirited Zerbinetta and tenor Brandon Jovanovich as Ariadne’s lover, the god Bacchus. Marek Janowski conducts.
Following their hit run on Broadway, Ian McKellen and Patrick Stewart return to the West End stage in Harold Pinter’s No Man's Land, broadcast live to cinemas from Wyndham’s Theatre, London. One summer's evening, two ageing writers, Hirst and Spooner, meet in a Hampstead pub and continue their drinking into the night at Hirst's stately house nearby. As the pair become increasingly inebriated, and their stories increasingly unbelievable, the lively conversation soon turns into a revealing power game, further complicated by the return home of two sinister younger men.
For the first time in company history, the Met presents the original five-act French version of Verdi’s epic opera of doomed love among royalty, set against the backdrop of the Spanish Inquisition. Met Music Director Yannick Nézet-Séguin leads a starry cast, including tenor Matthew Polenzani in the title role, soprano Sonya Yoncheva as Élisabeth de Valois, and mezzo-soprano Elīna Garanča as Eboli. Bass Günther Groissböck and bass-baritone John Relyea are Philippe II and the Grand Inquisitor, and baritone Étienne Dupuis rounds out the principal cast as Rodrigue.
The story of Christ’s death and resurrection has dominated western culture for the past 2000 years. It is perhaps the most significant historical event of all time, as recounted by the gospels but, equally, as depicted by the greatest artists in history. From the triumphant to the savage, the ethereal to the tactile, some of western civilization’s greatest artworks focus on this pivotal moment. This beautifully crafted film explores the Easter story as depicted in art, from the time of the early Christians to the present day.
Following its smash-hit original broadcast, the Young Vic’s ‘magnetic, electrifying, astonishingly bold’ production of A View from the Bridge returns to cinemas due to audience demand. This stunning production of Miller’s tragic masterpiece won a trio of 2014 Olivier Awards including Best Revival, Best Actor for Mark Strong (The Imitation Game; Tinker, Tailor, Soldier, Spy) and Best Director for Ivo van Hove. The great Arthur Miller confronts the American dream in this dark and passionate tale. In Brooklyn, longshoreman Eddie Carbone welcomes his Sicilian cousins to the land of freedom.
While traveling in Egypt, Lord Wilson is caught in a sandstorm and finds refuge in the nearest pyramid where Aspicia, the daughter of one of Egypt’s most powerful pharaohs, lies entombed. When he falls asleep, lulled by the haze of opium, Aspicia comes to life and his passion for her will take him on a fantastic journey. French choreographer Pierre Lacotte brilliantly resurrected a forgotten masterpiece exclusively for the Bolshoi Ballet nearly twenty years ago - Marius Petipa’s The Pharaoh’s Daughter.
Superstar soprano Anna Netrebko makes her long-awaited Met role debut as Puccini’s icy princess—live in cinemas on May 7. Tenor Yonghoon Lee is the bold prince determined to win Turandot’s love, alongside soprano Ermonela Jaho as the devoted servant Liù and legendary bass Ferruccio Furlanetto as the blind king Timur. Marco Armiliato conducts Puccini’s stirring opera, which takes the stage in the company’s dazzling, ever-popular production by Franco Zeffirelli.
Soprano Nadine Sierra takes on one of the repertory’s most formidable and storied roles, the haunted heroine of Donizetti’s Lucia di Lammermoor, in an electrifying new staging by Australian theater and film director Simon Stone, conducted by Riccardo Frizza. Tenor Javier Camarena adds to the bel canto fireworks as Lucia’s beloved, Edgardo, with baritone Artur Ruciński as her overbearing brother, Enrico, and bass Matthew Rose as her tutor, Raimondo.
Without Camille Pissarro, there is no Impressionist movement. He is rightfully known as the father of Impressionism. It was a dramatic path that Pissarro followed, and throughout it all he wrote extensively to his family. It is through these intimate and revealing letters that this gripping film reveals Pissarro’s life and work. Born in the West Indies, Pissarro found his passion in paint as a young man in Paris, and by the age of 43 had corralled a group of enthusiastic artists into a new collective.
When Australian composer Brett Dean’s Hamlet had its world premiere at the Glyndebourne Festival in 2017, The Guardian declared, “New opera doesn’t often get to sound this good … Shakespeare offers a gauntlet to composers that shouldn’t always be picked up, but Dean’s Hamlet rises to the challenge.” On June 4, this riveting contemporary masterpiece appears live in cinemas, with Neil Armfield, who directed the work’s premiere, bringing his acclaimed staging to the Met. Many of the original cast members have followed, including tenor Allan Clayton in the title role.