Six-time Grammy Award–winning composer Terence Blanchard brings his first opera to the Met after his Fire Shut Up in My Bones triumphantly premiered with the company to universal acclaim in 2021. Bass-baritone Ryan Speedo Green is the young boxer Emile Griffith, who rises from obscurity to become a world champion, and bass-baritone Eric Owens portrays Griffith’s older self, haunted by the ghosts of his past. Soprano Latonia Moore is Emelda Griffith, the boxer’s estranged mother, and mezzo-soprano Stephanie Blythe is the bar owner Kathy Hagan.
Laurent Pelly’s storybook staging of Massenet’s Cendrillon is presented with an all-new English translation in an abridged 90-minute adaptation, with mezzo-soprano Isabel Leonard as its rags-to-riches princess. Maestro Emmanuel Villaume leads a delightful cast, which includes mezzo-soprano Emily D’Angelo as Cinderella’s Prince Charming, soprano Jessica Pratt as her Fairy Godmother, and mezzo-soprano Stephanie Blythe and bass-baritone Laurent Naouri as her feuding guardians.
Bel canto stars Pretty Yende and Javier Camarena team up for a feast of vocal fireworks on the Met stage. Maurizio Muraro is Sergeant Sulplice, with Stephanie Blythe as the outlandish Marquise of Berkenfield. Enrique Mazzola conducts. La Fille du Régiment is a co-production of the Metropolitan Opera; the Royal Opera House, Covent Garden, London; and the Wiener Staatsoper, Vienna. Conductor - Enrique Mazzola, production - Laurent Pelly, set designer - Chantal Thomas, costume designer - Laurent Pelly, lighting designer - Joël Adam.
For the first time ever, Massenet’s sumptuous take on the Cinderella story comes to the Met. Joyce DiDonato stars in the title role, with mezzo-soprano Alice Coote in the trouser role of Prince Charming, Kathleen Kim as the Fairy Godmother, and Stephanie Blythe as the imperious Madame de la Haltière. Bertrand de Billy conducts Laurent Pelly’s imaginative storybook production. Conductor - Bertrand de Billy, production - Laurent Pelly, set designer - Barbara de Limburg, costume designer - Laurent Pelly, lighting designer - Duane Schuler, choreographer - Laura Scozzi.
An undisputed master of Falstaff, Music Director James Levine conducts Verdi’s opera for the first time at the Met since 2005. Robert Carsen’s production—the first new Met Falstaff since 1964—is set in the English countryside in the mid-20th century. Ambrogio Maestri (last season’s Dulcamara in the Opening Night production of L’Elisir d’Amore) sings the title role of the brilliant and blustery Sir John Falstaff, opposite a marvelous ensemble that includes Angela Meade, Stephanie Blythe, Lisette Oropesa, and Franco Vassallo.
Director David Alden’s dreamlike setting provides a compelling backdrop for this dramatic story of jealousy and vengeance. Marcelo Álvarez stars as the conflicted king; Sondra Radvanovsky is Amelia, the object of his secret passion; and Dmitri Hvorostovsky is her suspicious husband. Kathleen Kim is the page Oscar, and Stephanie Blythe sings the role of the fortune-teller Ulrica. Fabio Luisi conducts. In original language with English subtitles.
Sensational in the 2004 Met premiere of Stephen Wadsworth’s much-heralded production, Renée Fleming reprises the title role. She’s joined by Stephanie Blythe and countertenor Andreas Scholl, and Baroque specialist Harry Bicket conducts. Harry Bicket, Stephen Wadsworth, Thomas Lynch, Martin Pakledinaz, Peter Kaczorowski. Renée Fleming, Stephanie Blythe, Andreas Scholl, Iestyn Davies/Anthony Roth Costanzo, Kobie van Rensburg, Shenyang.
A stellar cast comes together for this second installment of Robert Lepage’s new production of the Ring cycle, conducted by James Levine. Bryn Terfel is Wotan, lord of the Gods. Deborah Voigt adds the part of Brünnhilde to her extensive Wagnerian repertoire at the Met. Jonas Kaufmann and Eva-Maria Westbroek star as the twins, Siegmund and Sieglinde, and Stephanie Blythe is Fricka.
Two unparalleled artists join forces to create a groundbreaking new Ring for the Met: Maestro James Levine and director Robert Lepage. The cycle launches with Das Rheingold, the prologue to Wagner’s epic drama. “The Ring is not just a story or a series of operas, it’s a cosmos,” says Lepage, who brings cutting-edge technology and his own visionary imagination to the world’s greatest theatrical journey.
Mark Morris’s acclaimed production returns. This complete vision for Gluck, with choreography by Morris and costumes by Isaac Mizrahi, features the artistry of Stephanie Blythe in the male title role. The alluring Danielle de Niese is Orfeo’s adored wife, Euridice, who inspires the hero to face the underworld for her sake. Music Director James Levine conducts. Conductor: James Levine; Production: Mark Morris; Stephanie Blythe, Danielle de Niese One act, length 1h 31 min.